Se Muta, by Damien Poots

Se Muta

by Damien Poots

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1.	Se Muta 09:07	info	buy track
2.	HH 06:45	info	buy track
3.	La Buena 08:18	info	buy track
4.	Falling 07:16	info	buy track
5.	Bahía 02:49	info	buy track
6.	Rojo 06:18	info	buy track
7.	Navegante 06:25 video	info	buy track
8.	Konde 06:52	info	buy track
9.	Ni ver ni saber 06:14	info	buy track
10.	Once 04:04	info	buy track

about

All compositions by Damien Poots.
Produced by Damien Poots.

(KUAI003)

credits

released November 4, 2013

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Sergio Wagner: trumpet
Juani Méndez: tenor sax
Damien Poots: guitar
Mauricio Dawid: bass
Fran Cossavella: drums
Tomás Fares: keyboard (Once)

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Recorded on January 2013 at Estudios ION, Buenos Aires
Mixed and Mastered by Manuel Schaller at Oídos Contentos, Buenos Aires
Recording Engineer: Pablo Acedo
Cover Art: Inés Fraschina & Mariela Díaz

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Bio

He was born in London in 1984 and settled in Buenos Aires in 1993.

He studied guitar with Marcelo Gutfraind and Juan Pablo Arredondo, and composition with Guillermo Klein and Claudio Alsuyet. He is a graduate of the Technological Institute of Contemporary Music. He studied jazz at the Conservatorio Superior "Manuel de Falla", directed by pianist Ernesto Jodos. In 2007 he attended an improvisation seminar at the School for Improvisational Music in New York, the courses of which were taught by Mark Helias, Ralph Alessi, Oliver Lake, Tyshawn Sorey and John Hollenbeck. During her stay, she also took private improvisation classes with saxophonist Tony Malaby.

In recent years, he has played and / or recorded with Paula Shocron , Eloy Michelini, Sergio Verdinelli, Rodrigo Domínguez , Enrique Norris, Barbie Marínez, Florencia Otero, Leonel Cejas , Jerónimo Carmona and Steve Cardenas (USA), among others.

He currently participates in the projects of Paula Shocron , Florencia Otero, Pablo Díaz and Leonel Cejas . As a soloist, he has just released his first album, Se Muta , by a quintet.

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about

Damien Poots Buenos Aires, Argentina

Guitarrista y compositor nacido en Londres, radicado en Buenos Aires.

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